Is it just me or have others noticed the ubiquity of American exhibitions in West London over the past year? Whether it’s NY Fashion at the V&A, yet another exhibition of an American artist at the Serpentine — old (Ellsworth Kelly) or new (Paul Chan) — or group shows put together to show visiting Americans some American art at Frieze fair time (the Royal Academy / Saatchi’s USA Today or the Serpentine’s Uncertain States of America), it looks like London’s expensive postcodes just can’t get enough of a good thing.
The combination of American corporate largesse, political will (the US Embassy funded Karen Kilimnik’s recent show at the Serpentine) and rich friends (cocktails with the Blairs for American Friends of the Tate) is convincing enough as it is. Combine this with a dearth of curators that can look beyond – or are interested in anything other than – the Euro-American nexus, and we see a pattern emerging. One in which much of London’s public art world (at least in those parts of town where corporate hospitality is at a premium) seems at risk of being ‘captured’ by one country. So while the world rhapsodises about ‘new’ art coming out of Asia, London gets to see very little of it, whereas Tate Liverpool is showing contemporary Chinese art and Newcastle’s Baltic had a recent Subodh Gupta show.
One wonders how long this will continue? As the 2012 London Olympics-related cuts to arts funding start biting, the allure of American patronage will only grow stronger. Perhaps, as the current show of British photography at Tate Britain suggests, American Friends will act with ‘enlightened self-interest’ and start supporting non-American shows, lest the natives get restless.
Or perhaps London is set to be the battleground for a cultural version of the new Great Game — one where America is the dominant power; the Russians have an outpost in the Hermitage Rooms at Somerset House, which can be leveraged by Russian oligarchs (once they grow tired of running football clubs or funding revolutions); and the Chinese have the Red Mansion Foundation ‘co-producing’ exhibitions. The only ones yet to show their hands are India’s billionaires and its ranks of art-market entrepreneurs. Surely it is only a matter of time — I’d give it a few months.