The Art Newspaper leads this week with a thought provoking and fact-filled article on a huge co-operative Arts project between the German and Chinese governments to bring major works from German museums to the newly re-opened National Museum of China on Tiananmen Square. The theme of the exhibition is the European Enlightenment, and the story is by our own .
A glimpse of the exhibition:-
Over dinner on a bitterly cold January night in Beijing, I asked Cordula Bischoff, the Dresden-based curator of “The Art of the Enlightenment”, which object in the exhibition best represents its message. Without hesitating, she pointed to a silhouette print in the advance catalogue. The work, attributed to Johann Heinrich Lips, depicts Voltaire, the French philosopher, holding a lantern that shines a light outward beyond the picture frame. “He is carrying the light and leading the visitor out of the exhibition,” she said. “It tells everything.” Bischoff’s counterpart, Chen Yu, a curator at the National Museum, nodded in agreement. “This picture is a metaphor of the Enlightenment,” he said. “The European Enlightenment is still influencing people everywhere in the world. Chinese people are still enjoying its fruits.”
And a comment by a local resident:-
This is an era of tremendous change. It is time to pause and reflect. Are we a leader economically? Spiritually? It’s part of the opening up after 30 years. What have we lost and what have we gained?
As Andras points out, Confucius was an inspiration to many of the leading lights of the European Enlightenment and so it seems the cycle of inspiration returns. One wonders, though, what the results will be as China is really only taking its first hesitant steps forward culturally, even as it charges forward economically.
You can read the full article here.