Catching up on reading over the weekend I saw an article on Guardian Unlimited on the state of the Chinese Contemporary market, highlighting Charles Saatchi’s moves in the sector. The quote that stuck in my mind was this from Brian Wallace of Beijing’s Red Gate Gallery:
“If you were in it for the money 10 years ago, you would be very well off today. But it is not easy. With all the new entrants into the market, more galleries are taking up more artists. So the overall quality is not as high as before. There are many good artists out there, but a lot of them are now painting for the market – even some of the big names.”
There are parallels with a previous thread about young artists being exposed to buyers too early and having their content and ‘language’ skewed to attract more money. At the moment the Chinese Contemporary market as a whole seems to be acting like a money hungry new art graduate: more concerned with producing work that buyers have shown they will buy, than trying to say anything new. This is, fortunately, not entirely true, but it is certainly the impression one gets from wandering around the galleries.