According to François Pinault remporte la “bataille de Venise” contre Guggenheim, just posted on Le Monde’s site, the French tycoon has won the mano-a-mano battle to take over the 50,000-square-foot-plus Punta della Dogana museum, a prized location in Venice for which he had been battling the Guggenheim since last fall.
This story has taken some weird turns. First, the Guggenheim butted in after it had looked like Pinault would simply be accorded the site by local allies. After Pinault marshalled starchitect Tadao Andao to his side, the Guggenheim riposted with Zaha Hadid. Then things got a little biblical. Echoing the tale of King Solomon and the disputed baby Venetian officials, after reviewing extensive proposals, decided the two collections had equally good ideas and proposed they share the space. Guggenheim leader Thomas Krens seemed amenable, but Pinault’s camp nixed the idea as “impractical.” Now the Venetians have suddenly discovered that the Guggenheim overlooked a key aspect of the proposal. My rough-and-ready-at-1AM translation from Le Monde:
The director for cultural patrimony in Venice, Luigi Bassetto, justified the decision in favor of Francois Pinault: “The project for the Guggenheim foundation did not specify which pieces would be permanently displayed in the museum. Yet that was one of the indispensable conditions in the call for proposals. The commission [charged with designating the best project] considers the Guggenheim to have excluded themselves from the running.”
Um, yeah. And a month ago, no one had noticed that this CRUCIAL requirement had been overlooked by one of only two candidates? By the time we hit Venice, much more Machiavellian explanations should be flowing freely. Apparently, the Guggenheim’s bid was backed by Italy’s political right, whose power waned after the fall of Silvio Berlusconi. Then again, it might be something far more local. Theories, anyone?